tag:blogger.com,1999:blog-23400537956308604802024-03-19T12:01:11.542+01:00DETRITI DI PASSAGGIO"Non sono quasi mai serio, e sono sempre troppo serio. Troppo profondo, troppo superficiale. Troppo sensibile e troppo freddo di cuore. Io sono come un insieme di paradossi." (F. De. Saussure)Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.comBlogger33125tag:blogger.com,1999:blog-2340053795630860480.post-7550745401731224112016-10-05T14:00:00.000+02:002016-10-05T14:00:01.781+02:00THAT'S ALL FOLKS!<div class="separator" style="clear: both; text-align: center;">
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<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "times new roman" , "serif"; line-height: 115%;">Ci
ho riflettuto a lungo. Il mio silenzio ne è prova. Salto direttamente alla
conclusione: in Italia, i blog non hanno più “senso”. Né lettori, il che è la
stessa cosa. Nessuno apre un blog esclusivamente per sé (oppure sì, se volete
continuare a raccontarvela). Naturalmente non ha senso nemmeno questo post di
addio dopo quasi sei mesi dall’ultimo aggiornamento (che coincide, peraltro,
con un addio ben più pesante).</span></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><span lang="EN-US" style="font-family: "times new roman" , "serif"; line-height: 115%;">Ergo: <i>this is the last post</i>. </span><span style="font-family: "times new roman" , "serif"; line-height: 115%;">“Detriti di Passaggio”
si ferma qui, come un’infinità di altri blog prima e un’infinità di altri blog
dopo. Io, invece, no. Io non mi fermo. Chi avesse voglia di leggere ancora
i miei vaneggiamenti, potrà continuare a farlo qui:</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: x-large;"><span style="font-family: "times new roman" , "serif"; line-height: 115%;"><a href="http://www.magazzininesistenti.it/">http://www.magazzininesistenti.it/</a></span></span></div>
<span style="font-size: large;">
</span><br />
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<br /></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><span style="font-family: "times new roman" , "serif"; line-height: 115%;">Grazie a tutti e buona vita.</span></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-75886171876495625992016-04-22T21:08:00.000+02:002016-04-22T21:08:34.654+02:00THIS IS WHAT IT SOUNDS LIKE WHEN DOVES CRY<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVehNE6oWSfT9gC-8-D_gCHRFNgQ2RhJxYl02Kvpl2aVs7B3KqTGeK5Px498nTamHfdstvXlSGLkjVlEo5Wrc7gEE3f5jFop8syrv-izxPr6dHye7lXiEirQWEOtrnxvSCIIHVwqRWBEBy/s1600/WHEN_DOVES_CRY_by_PURPLECITYDIGITAL.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="365" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVehNE6oWSfT9gC-8-D_gCHRFNgQ2RhJxYl02Kvpl2aVs7B3KqTGeK5Px498nTamHfdstvXlSGLkjVlEo5Wrc7gEE3f5jFop8syrv-izxPr6dHye7lXiEirQWEOtrnxvSCIIHVwqRWBEBy/s400/WHEN_DOVES_CRY_by_PURPLECITYDIGITAL.jpg" width="400" /></a></div>
<br />Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-17160325128399256542016-01-11T13:05:00.002+01:002016-01-11T13:05:43.475+01:00THE NEXT DAY<div class="separator" style="clear: both; text-align: center;">
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<br />Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-71993950095098070642015-08-24T13:37:00.001+02:002015-08-24T13:37:06.894+02:00The Evil Monkey's Records: Letters from The End – Nuovi inizi?<br /><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC4WFL4OaL6bwqcvHb8qYK5GyAWK2DYIsyi_DsQXFEJqfnDXE8WbPSK9gcJxGVYNViCSh16t4DxoanSXAyk5rCyhPJkxjW3cCxseiu8CJp82tQh8r-EcGIiqq85wdjM8rU_ZjEFN2hfnKf/s1600/Flayer_Fine2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC4WFL4OaL6bwqcvHb8qYK5GyAWK2DYIsyi_DsQXFEJqfnDXE8WbPSK9gcJxGVYNViCSh16t4DxoanSXAyk5rCyhPJkxjW3cCxseiu8CJp82tQh8r-EcGIiqq85wdjM8rU_ZjEFN2hfnKf/s640/Flayer_Fine2.jpg" width="500" /></a></div><br /><br />
<span style="font-size: x-large;"><a href="http://theevilmonkeysrecords.blogspot.com/2015/08/letters-from-end-nuovi-inizi.html?spref=bl">The Evil Monkey's Records: Letters from The End – Nuovi inizi?</a>: Sono convinto che il vecchio, bistrattato, sepolto “rapporto epistolare” abbia in realtà ancora molto da dire pur in questi tempi...</span>Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-4503574494120013132015-07-14T12:45:00.001+02:002015-07-14T12:47:36.243+02:00Isle full of noises: Il dottor Stranamore ci avvicina al bagno di sangu...<br />
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<span style="font-size: x-large;"><a href="http://isle-of-noises.blogspot.com/2015/07/il-dottor-stranamore-ci-avvicina-al.html?spref=bl">Isle full of noises: Il dottor Stranamore ci avvicina al bagno di sangu...</a>: Difficile, molto difficile occuparsi di musica e simili sciocchezze di fronte agli avvenimenti di questi ultimi giorni. L'odiern...</span>Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-70069480158544738162015-06-08T20:13:00.001+02:002015-06-08T20:17:52.034+02:00The Evil Monkey's Records: Il Rock Invisibile<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKdzYrnN6DkBtoVAAJyyG_JoL3VI-DiFaaHXQ4DOmHjPIzyCm4YzlrM0agmwzJXKh-MumB5NQ3jUf5hzpZSfC4eQ53eWGBs7l5rU0xD0dYL2NVd8mqlGGjjvLUi1DusqMuuoyH6sGWultW/s1600/20130624_121727.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKdzYrnN6DkBtoVAAJyyG_JoL3VI-DiFaaHXQ4DOmHjPIzyCm4YzlrM0agmwzJXKh-MumB5NQ3jUf5hzpZSfC4eQ53eWGBs7l5rU0xD0dYL2NVd8mqlGGjjvLUi1DusqMuuoyH6sGWultW/s640/20130624_121727.jpg" width="360" /></a></div>
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<span style="font-size: x-large;"><a href="http://theevilmonkeysrecords.blogspot.com/2015/06/il-rock-invisibile.html?spref=bl">The Evil Monkey's Records: Il Rock Invisibile</a>: Sono un bugiardo. Al lavoro, nella vita privata, qui sul web. Di più; sono un virtuoso della bugia, un suo estimatore. Credo che un...</span><br />
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Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-43203001222517722072015-04-24T21:58:00.002+02:002015-04-24T21:58:51.406+02:00I will hear the promise of my Orpheus sing...<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;">Standing firm on this stony ground<br />The wind blows hard<br />Pulls these clothes around<br />I harbour all the same worries as most<br />The temptations to leave or to give up the ghost<br />I wrestle with an outlook on life<br />That shifts between darkness and shadowy light<br />I struggle with words for fear that they'll hear<br />But Orpheus sleeps on his back still dead to the world<br /><br />Sunlight falls, my wings open wide<br />There's a beauty here I cannot deny<br />And bottles that tumble and crash on the stairs<br />Are just so many people I knew never cared<br />Down below on the wreck of the ship<br />Are a stronghold of pleasures I couldn't regret<br />But the baggage is swallowed up by the tide<br />As Orpheus keeps to his promise and stays by my side<br /><br />Tell me, I've still a lot to learn<br />Understand, these fires never stop<br />Believe me, when this joke is tired of laughing<br />I will hear the promise of my Orpheus sing<br /><br />Sleepers sleep as we row the boat<br />Just you the weather and I gave up hope<br />But all of the hurdles that fell in our laps<br />Were fuel for the fire and straw for our backs<br />Still the voices have stories to tell<br />Of the power struggles in heaven and hell<br />But we feel secure against such mighty dreams<br />As Orpheus sings of the promise tomorrow may bring<br /><br />Tell me, I've still a lot to learn<br />Understand, these fires never stop<br />Please believe, when this joke is tired of laughing<br />I will hear the promise of my Orpheus sing</span></div>
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Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-82160310003693081792015-04-01T22:04:00.001+02:002015-04-01T22:05:49.719+02:00antblog: Antblog, il libro<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><u><i><b><a href="http://bochesmalas.blogspot.com/2015/04/antblog-il-libro.html?spref=bl">antblog: Antblog, il libro</a>: </b></i></u></span><br />
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<span style="font-size: large;">"Ebbene si, quando si è in preda alle pulsioni sadomaso non si può fare </span></div>
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<span style="font-size: large;">niente, se non cedere alle stesse. Quando si è incoscienti o pazzi, o </span></div>
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<span style="font-size: large;">semplicemente non si ha un cazzo da fare, può anche accadere che uno </span></div>
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<span style="font-size: large;">decida di creare e pubblicare un "mattone" del genere, nonostante le </span></div>
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<span style="font-size: large;">difficoltà, gli scarsi mezzi tecnici a disposizione e le rotelle che </span></div>
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<span style="font-size: large;">girano a vuoto."</span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-67667499844329265122015-03-12T10:01:00.001+01:002015-03-12T10:03:49.963+01:00Isle full of noises: Detroit rock sound - Where you gonna go. Motor Cit...<br />
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<span style="font-size: large;"><a href="http://isle-of-noises.blogspot.com/2015/03/detroit-rock-sound-where-you-gonna-go.html?spref=bl">Isle full of noises: Detroit rock sound - Where you gonna go. Motor Cit...</a>: Dirtbombs Il sottotitolo a questo post potrebbe essere: non valiamo più niente, ecco la verità. </span><br />
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<span style="background-color: white;"><span style="font-family: inherit; font-size: medium;">Volevo<span style="font-family: inherit;"> </span>usare una espressione più forte, ma anche questa rende bene l'idea. Sì,<span style="font-family: inherit;"> </span>siamo una generazione di smidollati, facciamo schifo a noi stessi. Le <span style="font-family: inherit;"></span>differenze con chi ci ha<span style="font-family: inherit;"> </span>preceduto sono palpabili e nette, come strati <span style="font-family: inherit;"></span>geologici di materiali incompatibili.</span></span></div>
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<span style="background-color: white;"><span style="font-family: inherit; font-size: medium;">L'ho già spiegato: ai tempi di MC5 la gente si faceva ammazzare nelle strade, adesso su tutte le vette è pace.</span></span></div>
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<span style="background-color: white;"><span style="font-family: inherit; font-size: medium;">Nessuno<span style="font-family: inherit;"> </span>oggi reagisce perché non ha la minima idea di come farlo; e, <span style="font-family: inherit;"></span>soprattutto, ha paura a farlo: una sorta di vergogna sociale - o di <span style="font-family: inherit;"></span>inadeguatezza - ne blocca gli atti più<span style="font-family: inherit;"> </span>spontanei. Timorosi, queruli, <span style="font-family: inherit;"></span>isterici, arroganti - facce diverse di uno stesso cubo di<span style="font-family: inherit;"> </span>Rubik, quello <span style="font-family: inherit;"></span>dell'impotenza.</span></span></div>
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<span style="background-color: white;"><span style="font-family: inherit; font-size: medium; text-align: justify;">E<span style="font-family: inherit;"> </span>questo accade, pur con tutti i nostri titoli di studio, i dottorati, le<span style="font-family: inherit;"> </span>lauree, le<span style="font-family: inherit;"> </span>specializzazioni, la sapienza tecnica e la possibilità <span style="font-family: inherit;"></span>davvero prometeica di conoscere in<span style="font-family: inherit;"> </span>tempo reale il mondo e la natura: e <span style="font-family: inherit;"></span>perché accade? Perché, in fondo, siamo solo degli<span style="font-family: inherit;"> </span>attori della vita.</span><span style="font-family: inherit; font-size: medium;"><span style="font-family: inherit;"> </span></span></span></div>
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<span style="background-color: white;"><span style="font-family: inherit; font-size: medium;"><span style="font-family: inherit;">Il capolavoro del potere: costringerci, senza apparente obbligo, in una recitazione ben precisa.</span></span></span><span style="font-family: inherit; font-size: medium;"><span style="background-color: black; color: white;"><span style="font-family: inherit;"><span style="color: black;"><span style="background-color: white;"> </span></span></span></span></span></div>
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<span style="font-family: inherit; font-size: medium;"><span style="background-color: black; color: white;"><span style="font-family: inherit;"><span style="color: black;"><span style="background-color: white;">Non esprimiamo sentimenti, ma <span style="font-family: inherit;"></span>fingiamo sentimentalismi; non rivendichiamo giustizia, ma<span style="font-family: inherit;"> </span>ciò che ci <span style="font-family: inherit;"></span>hanno detto essere giustizia; non conosciamo l'amore e l'odio, ma i <span style="font-family: inherit;"></span>simulacri<span style="font-family: inherit;"> </span>commerciali di queste due potenti molle all'azione. Una <span style="font-family: inherit;"></span>finzione continua...</span></span>e conduce alla nevrosi.</span></span></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-29473664662591374462015-01-19T19:09:00.000+01:002015-01-19T19:09:23.104+01:00SCARABOCCHI UBRIACHI<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS466tvmHdlu7xZSqj0_AbRbOu89MNkWLRglgj-auhkAo3M-dv-lhaEP0vlEHdBN-HqgHgk55GriKcOdeFPdEsXjFkc29SvVIKp-ZxhMowuPTRviSiktJPFudjjyWiOGFuvUKfGioPIWrC/s1600/1420390668788.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS466tvmHdlu7xZSqj0_AbRbOu89MNkWLRglgj-auhkAo3M-dv-lhaEP0vlEHdBN-HqgHgk55GriKcOdeFPdEsXjFkc29SvVIKp-ZxhMowuPTRviSiktJPFudjjyWiOGFuvUKfGioPIWrC/s1600/1420390668788.JPG" height="400" width="305" /></a></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">“Me le ricordo ancora quelle ore nel cuore della notte, sdraiato
sul letto. Era come se ci facessi l’amore con la musica.” </span></i><span style="font-family: "Cambria","serif";">(Bartolo Federico, <i>Scarabocchi Ubriachi</i>).</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b><span style="font-family: "Cambria","serif";">Leggere Bart</span></b><span style="font-family: "Cambria","serif";">
è un po’ come raccontarsi cose con un vecchio amico. Non importa quali cose e non
importa chi dei due stia raccontando: chi ascolta sa già quale sarà la prossima
parola, la prossima frase, la prossima citazione, la prossima <i>rivelazione</i>. Perché la prossima parola è
<i>già</i> dentro l’amico che ascolta; affiora
alla soglia della consapevolezza un nanosecondo prima di sentirla pronunciare.
E tu – che ascolti, che leggi – ti dici: <i>Sì,
sì, è esattamente così, è sempre stato dentro di me, è esattamente così.</i></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb4qm-nebx2uLT4jpwNqGeeoWYyFrADO6LxBz7lSdpIiE-G2btrrbmSCpxKecSELdDgIpeH_byXVNXTHf1lt6-0VIVyA_KqWqzcFEnComCCRhLczMHCkp_z2RglmntAf8ukmkADTnKd2Au/s1600/1420390580791.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb4qm-nebx2uLT4jpwNqGeeoWYyFrADO6LxBz7lSdpIiE-G2btrrbmSCpxKecSELdDgIpeH_byXVNXTHf1lt6-0VIVyA_KqWqzcFEnComCCRhLczMHCkp_z2RglmntAf8ukmkADTnKd2Au/s1600/1420390580791.JPG" height="400" width="280" /></a></i></span></div>
<br />
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b><span style="font-family: "Cambria","serif";">Leggere Bart</span></b><span style="font-family: "Cambria","serif";">
è un po’ come raccontare cose a quell’unico amico che non ti lascia scampo, che
per fortuna non ha pietà di te, l’amico a cui non puoi mentire perché ti
smaschera prima ancora che tu abbia finito di parlare. Senza dire nulla. Sei tu
a fermarti, a dirgli <i>Ok, va bene, ho
detto una cazzata</i>. E il suo sorriso, a un tempo di rimprovero e di complicità,
ti solleva dal timore di qualsiasi giudizio. Ti versa dell’altra birra, alza il
suo bicchiere. <i>Alla tua</i>, <i>amico. Qui nessuno è colpevole.</i></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3i5g5iDZipg8gO42rtz_XY3JvVAAbhrTn8wCyOWA9sUfJHls6nEeR7MVbtKqDsgwL5xjcht_5_E5egbhbuwFcY2InQ30PJNYT6IwY8vPrXljeaNZY-SDCewpGnX0yuFYDugPUMEZeUp5U/s1600/15+-+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3i5g5iDZipg8gO42rtz_XY3JvVAAbhrTn8wCyOWA9sUfJHls6nEeR7MVbtKqDsgwL5xjcht_5_E5egbhbuwFcY2InQ30PJNYT6IwY8vPrXljeaNZY-SDCewpGnX0yuFYDugPUMEZeUp5U/s1600/15+-+1.jpg" height="400" width="295" /></a></i></span></div>
<br />
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b><span style="font-family: "Cambria","serif";">Leggere Bart</span></b><span style="font-family: "Cambria","serif";">
è un po’ come riscoprire, con bambinesca sorpresa, quella che ti fa le labbra a
O, di <i>essere umani</i>. Non ricchi, non
poveri, non borghesi, non piddini, non grillini, non fascisti, non comunisti,
non impiegati, non operai, non imprenditori non <i>[continuate voi]</i>. <i>Umani e basta</i>.
Che, di questi tempi, è forse la cosa più complicata che si possa immaginare, e
di certo la meno <i>cool</i>. Forse anche
inutile: <i>“[…] il vero potere è la corruzione,
anche nei sentimenti”</i> (“Ancora sei miglia per il cimitero”). A che serve,
oggi, essere umani? Sicuramente non a vivere. Non basta. La vita te la devi
“guadagnare”. Qualche ingenuo pensa ancora che un semplice atto banale come <i>nascere</i> conferisca il diritto alla vita.
Nella nostra epoca, non è così.</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Nei solchi
dell’anima (dei personaggi) di Bart, un buon orecchio può cogliere il crepitio
di un vecchio e consumato vinile di blues un attimo prima che si tramuti nella
rabbia di chi è costretto a vivere ai margini di tutto, senza darsi pena di
cercare un seconda possibilità perché non ha avuto nemmeno la prima. Questi
racconti <i>creano</i> (in senso letterale)
uno spazio che annulla la distanza tra Robert Johnson e Johnny Thunders e
gettano uno sguardo malinconico e disincantato sulla vita come conquista
quotidiana: i personaggi di Bart interagiscono nell’intimo di ognuno di noi,
quasi fossero parte di un DNA collettivo. Come se avessimo già vissuto quelle
storie, quei momenti, quelle intuizioni profondissime, ci rendiamo
immediatamente conto che, in qualche modo, tutti viviamo <i>ai margini</i> di qualcosa. </span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk_BJYXRBC3C7QouLIfNRZnDfrsoCjHrdSVhGOJmairWCJQMGzS2j5oN8k1BfHRNKWhTKLEhCdWcRYzyL6twF-PSe45dvMMJ_jqd-nZzaBT87jbtyAUhn29WvwdUoKFmVro0L5z8EQaMPy/s1600/10929899_663340873775542_7983148884057798663_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk_BJYXRBC3C7QouLIfNRZnDfrsoCjHrdSVhGOJmairWCJQMGzS2j5oN8k1BfHRNKWhTKLEhCdWcRYzyL6twF-PSe45dvMMJ_jqd-nZzaBT87jbtyAUhn29WvwdUoKFmVro0L5z8EQaMPy/s1600/10929899_663340873775542_7983148884057798663_n.jpg" height="400" width="308" /></a></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPDksNIe0RzEP7sKL4XnZqS8-ArlwdOJeH5oojFliGpl6iS7yieBMJ-a6uGZdco-aCAeK5pfSCGXpfrK3tekpa14gEXIpJU3CVKQXdjT9iaopdFq-eFmDID1TTIM0cwIxhrlUpUX-3bY5S/s1600/pipunk+studio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></span></div>
<br />
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b><span style="font-family: "Cambria","serif";">Leggere Bart</span></b><span style="font-family: "Cambria","serif";">
è un po’ come guardarsi allo specchio, riconoscere le nostre imperfezioni e
accettarle per poi trasformarle in quella bellezza non convenzionale, che è
l’unica forma di bellezza possibile in questa epoca di orrori e di nullità. Il
nuovo Parnaso si trova nelle <i>backstreets</i>
delle città, dove l’alloro poetico prima si rolla e poi si fuma: la Vera
Bellezza esige che la corona sia di spine.</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<i><b><span style="font-size: large;"><span style="font-family: "Cambria","serif";">Evil Monkey,
il “boss” del progetto:</span></span></b></i></div>
<b><span style="font-size: large;">
</span></b><div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<b><span style="font-size: large;"><span style="font-family: "Courier New";">http://theevilmonkeysrecords.blogspot.it/2014/03/scarabocchi-ubriachi-un-progetto-aperto.html</span></span></b></div>
<b><span style="font-size: large;">
</span></b><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<b><span style="font-size: large;">
</span></b><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<i><b><span style="font-size: large;"><span style="font-family: "Cambria","serif";">Mr. Hyde, il
genio grafico:</span></span></b></i></div>
<b><span style="font-size: large;">
</span></b><pre><b><span style="font-size: large;">http://cassetticonfusi.blogspot.com/</span></b></pre>
<b><span style="font-size: large;">
</span></b><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<b><span style="font-size: large;">
</span></b><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<i><b><span style="font-size: large;"><span style="font-family: "Cambria","serif";">E Bart, il…
be’, Bart è Bart e basta:</span></span></b></i></div>
<b><span style="font-size: large;">
</span></b><pre><b><span style="font-size: large;">http://dustyroad-federico.blogspot.com/</span></b></pre>
<pre><b><span style="font-size: large;"> </span></b></pre>
<pre><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: large;"><b>La pagina Facebook:</b></span></span></pre>
<pre><b><span style="font-size: large;"><i><span style="font-family: Arial,Helvetica,sans-serif;">https://www.facebook.com/scarabocchiubriachi?ref=hl </span></i></span></b></pre>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-24536199573847769222014-10-06T18:58:00.001+02:002014-10-06T18:59:10.281+02:00Appunti per un Nuovo Scrittore Musicale - 2<!--[if gte mso 9]><xml>
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<span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Cercare <b><i>la
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<span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">SCRIVERE <b><i>LA
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<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Una storia
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<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Una storia
che non è quella della band, né quella dell'album, né la nostra. Ma a tutte
quelle, comunque, attinge. <b>In quelle si riflette</b>.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Scrivere
questa storia, ricostruendola, senza seguire una trama o un ordine logico,
cronologico o causale; assemblarla <b><i>per singole visioni</i></b>, tessere
giustapposte e senza incastri, <u>fantasticando</u> sull'assente e <u>senza
mentire</u> sul presente.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Rimontare la
pellicola ad <b>accesso casuale</b>, traslare tempo e luogo.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Quando
riusciamo a seguire quella storia, a dominarla, a gestirla con naturalezza, possiamo
veramente dire di <i>scrivere la musica</i> in maniera nuova.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">SCRIVERE LA
MUSICA</span></i></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">RESTITUENDOLE
UN PO’ DI QUEL MISTERO CHE PARE IRRIMEDIABILMENTE PERDUTO</span></i></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
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<b><u><span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">MISTERO</span></u></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<b><i><span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">…tanto parte
proprio da qui…</span></i></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
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<b><i><span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">SCRIVERE LA
MUSICA</span></i></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Un atto che,
concepito letteralmente, è impossibile; ma se mediato e sanamente trasferito,
come in un comune meccanismo psicologico, può ancora riservare sorprese e
bellezza.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">E utilità,
per chi legge.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Abbandonare
le terre utopiche dell’oggettività, le cui strade, costruite e solcate da migliaia
di critici, sono ormai diventate un labirintico groviglio senza via d’uscita,
per addentrarsi nel mistero più grande di tutti: l’<b><i>esperienza soggettiva.</i></b></span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 16.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">STORIA – IO
– MISTERO – IO – STORIA</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Un percorso
palindromo che riconduce sempre al mistero, che inizia sempre dalla storia e
che passa sempre attraverso l’io. </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Scrivere la
musica consapevoli dell’illusione della razionalità: musicare la scrittura.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-1716852469053838162014-09-22T19:24:00.001+02:002014-09-22T19:24:38.533+02:00VIRGIN FOREST: The Pork Dukes - Un post muto. O forse no...<br />
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<u><i><b><span style="font-size: x-large;">http://www.porkdukes.com/</span></b></i></u></div>
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<br />Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-89598252320944201622014-09-03T17:36:00.002+02:002014-09-03T17:37:50.163+02:00Appunti per un Nuovo Scrittore Musicale - 1 <div id="stcpDiv" style="left: -1988px; position: absolute; top: -1999px;">
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Porsi <b><u>sempre</u></b>
domande durante l'esperienza d'ascolto.</span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Cercare le risposte all'interno dell'ascolto stesso.</span></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">DOVE MI TROVO?</span></b></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">In una tenda indiana? Su un'autostrada che corre nel
deserto? In un carico merci una notte di burrasca? Ospite di un party in un
attico al cospetto dello skyline al tramonto?</span></div>
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<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Quanto influisce
l’ambiente sulla mia esperienza d’ascolto?</span></i></b></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">QUANDO MI TROVO?</span></b></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">È l'estate del 1967? Quella del 1976, gli ultimi anni '90
o magari gli anni 20 del secolo scorso?</span></div>
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<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Quanto influisce il mio
tempo sull’ esperienza d’ascolto?</span></i></b></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">CHI È IL PROTAGONISTA?</span></b></div>
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<i><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: IT;">(C'è <b>sempre</b> un
protagonista)</span></i></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Un adolescente in pena, il metalmeccanico nullatenente,
il giovane arrapato a bordo della Camaro, l'intellettuale solitario.</span></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">CHI C'È CON ME?</span></b></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ci sono sempre compagni di viaggio, siano essi i Crazy
Horse, o i Kyuss o Huey Lewis and the News o Kurt Weill. </span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ma anche l'ispettore Callahan, Malcom X, Jesse James…</span></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">QUAL È LA SUA STORIA?</span></b></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ovvero cosa vogliono dirmi questa canzone, questo album?
Qual è il messaggio, a che bisogno risponde questa esigenza di comunicare?</span></div>
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<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Raccontiamo la nostra
esperienza soggettiva inserita in una narrazione non lineare.</span></i></b></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">COME SI LEGA QUESTA STORIA AL MIO ASCOLTO?</span></b></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">È passione? Il caso? Un acquisto voluto, cercato, una
curiosità soddisfatta, una insoddisfatta? Un acquisto sbagliato? Condividiamo
il tempo, lo spazio, il modo di vedere le cose?</span></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: IT;">ESPERIENZA D'ASCOLTO</span></b></div>
- See more at:
http://theevilmonkeysrecords.blogspot.com/2014/09/appunti-per-un-nuovo-scrittore-musicale.html#sthash.hcClsEVs.dpuf<br />
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Porsi <b><u>sempre</u></b>
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<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">DOVE MI TROVO?</span></b></div>
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</div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">In una tenda indiana? Su un'autostrada che corre nel
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<div align="center" class="MsoNormal" style="text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Quanto influisce
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</div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">QUANDO MI TROVO?</span></b></div>
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</div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">È l'estate del 1967? Quella del 1976, gli ultimi anni '90
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<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Quanto influisce il mio
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</div>
<div class="MsoNormal">
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</div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Un adolescente in pena, il metalmeccanico nullatenente,
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<div class="MsoNormal">
</div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">CHI C'È CON ME?</span></b></div>
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</div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ci sono sempre compagni di viaggio, siano essi i Crazy
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<div class="MsoNormal">
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<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">QUAL È LA SUA STORIA?</span></b></div>
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</div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ovvero cosa vogliono dirmi questa canzone, questo album?
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<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
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<div class="MsoNormal">
</div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">COME SI LEGA QUESTA STORIA AL MIO ASCOLTO?</span></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">È passione? Il caso? Un acquisto voluto, cercato, una
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il tempo, lo spazio, il modo di vedere le cose?</span></div>
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</div>
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<br />
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: IT;">ESPERIENZA D'ASCOLTO</span></b></div>
- See more at:
http://theevilmonkeysrecords.blogspot.com/2014/09/appunti-per-un-nuovo-scrittore-musicale.html#sthash.hcClsEVs.dpuf<br />
<div id="stcpDiv" style="left: -1988px; position: absolute; top: -1999px;">
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Porsi <b><u>sempre</u></b>
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<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">DOVE MI TROVO?</span></b></div>
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</div>
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attico al cospetto dello skyline al tramonto?</span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Quanto influisce
l’ambiente sulla mia esperienza d’ascolto?</span></i></b></div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">QUANDO MI TROVO?</span></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
</div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">È l'estate del 1967? Quella del 1976, gli ultimi anni '90
o magari gli anni 20 del secolo scorso?</span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Quanto influisce il mio
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<div class="MsoNormal">
</div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">CHI È IL PROTAGONISTA?</span></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<i><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: IT;">(C'è <b>sempre</b> un
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<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Un adolescente in pena, il metalmeccanico nullatenente,
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<div class="MsoNormal">
</div>
<div class="MsoNormal">
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<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">CHI C'È CON ME?</span></b></div>
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<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ci sono sempre compagni di viaggio, siano essi i Crazy
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<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ma anche l'ispettore Callahan, Malcom X, Jesse James…</span></div>
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<div class="MsoNormal">
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<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">QUAL È LA SUA STORIA?</span></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
</div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Ovvero cosa vogliono dirmi questa canzone, questo album?
Qual è il messaggio, a che bisogno risponde questa esigenza di comunicare?</span></div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Raccontiamo la nostra
esperienza soggettiva inserita in una narrazione non lineare.</span></i></b></div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-ansi-language: IT;">COME SI LEGA QUESTA STORIA AL MIO ASCOLTO?</span></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">È passione? Il caso? Un acquisto voluto, cercato, una
curiosità soddisfatta, una insoddisfatta? Un acquisto sbagliato? Condividiamo
il tempo, lo spazio, il modo di vedere le cose?</span></div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: IT;">Trovando le risposte a queste domande, tracciamo la nostra </span></div>
<br />
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-ansi-language: IT;">ESPERIENZA D'ASCOLTO</span></b></div>
- See more at:
http://theevilmonkeysrecords.blogspot.com/2014/09/appunti-per-un-nuovo-scrittore-musicale.html#sthash.hcClsEVs.dpuf</div>
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<br />
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Porsi <b><u>sempre</u></b> domande
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Cercare le risposte all'interno
dell'ascolto stesso.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">DOVE MI
TROVO?</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">In una tenda indiana? Su
un'autostrada che corre nel deserto? In un carico merci una notte di burrasca?
Ospite di un party in un attico al cospetto dello skyline al tramonto?</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Quanto
influisce l’ambiente sulla mia esperienza d’ascolto?</span></i></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">QUANDO MI
TROVO?</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">È l'estate del 1967? Quella del
1976, gli ultimi anni '90 o magari gli anni 20 del secolo scorso?</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Quanto
influisce il mio tempo sull’ esperienza d’ascolto?</span></i></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">CHI È IL
PROTAGONISTA?</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<i><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">(C'è <b>sempre</b>
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Un adolescente in pena, il
metalmeccanico nullatenente, il giovane arrapato a bordo della Camaro,
l'intellettuale solitario.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">CHI C'È CON
ME?</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Ci sono sempre compagni di viaggio,
siano essi i Crazy Horse, o i Kyuss o Huey Lewis and the News o Kurt Weill. </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Ma anche l'ispettore Callahan,
Malcom X, Jesse James…</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">QUAL È LA
SUA STORIA?</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Ovvero cosa vogliono dirmi questa
canzone, questo album? Qual è il messaggio, a che bisogno risponde questa
esigenza di comunicare?</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Raccontiamo
la nostra esperienza soggettiva inserita in una narrazione non lineare.</span></i></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 24.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">COME SI LEGA
QUESTA STORIA AL MIO ASCOLTO?</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">È passione? Il caso? Un acquisto
voluto, cercato, una curiosità soddisfatta, una insoddisfatta? Un acquisto
sbagliato? Condividiamo il tempo, lo spazio, il modo di vedere le cose?</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Trovando le
risposte a queste domande, tracciamo la nostra </span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">ESPERIENZA
D'ASCOLTO</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-83872282737178475512014-07-24T19:29:00.001+02:002014-07-24T19:31:55.317+02:00The Evil Monkey's Records: Classificatevi!<span style="font-size: large;">Rebloggo (ma che cazzo di parole bisogna usare sul web!) e SOTTOSCRIVO il Manifesto di Evil Monkey: </span><br />
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Nessuna
mappa d’orientamento questo volta, nemmeno due parole. Poca forma e solo sostanza. Lascio parlare loro. Ed eventualmente
voi nei commenti. Ai quali, ovviamente, risponderò come sempre. Buon ascolto.</span></span></div>
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</span><br />
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<span style="font-size: large;"><b><span style="font-family: "Cambria","serif";">Ad Nauseam “Straining At The Leash” (1985, cassette)</span></b></span></div>
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<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><b><span style="font-family: "Cambria","serif";">Ad Nauseam “The Greatest Sho</span></b><b><span lang="EN-US" style="font-family: "Cambria","serif";">w On Earth” (1987, self released LP)</span></b></span></div>
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";"><i><b>Se fate
presto, trovate tutto</b></i> <a href="https://mega.co.nz/#!0BNVWajK!JILTWv8TE79BGTJ058fQE2LDSxpBP7bP5rSQf_f5l9Q" target="_blank">qui</a>.</span></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-9133432815126391772014-06-11T22:12:00.001+02:002014-06-11T22:12:38.525+02:00NOWHERE FAST<!--[if gte mso 9]><xml>
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzAHjnlo5YE7bwW6KTZMBC6LrmDhY4p76MoMN4yyPuesWVG3IcZe4TfD9RjF5x8wb-X1ddGH8vaZ_IYcgGXYgB0Hcs2suNH8t79KZQOTV7JU9co_KB-sCzW61aFYoRjN9l7FNwYr_dOOmn/s1600/935098_10151586334040831_54701310_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzAHjnlo5YE7bwW6KTZMBC6LrmDhY4p76MoMN4yyPuesWVG3IcZe4TfD9RjF5x8wb-X1ddGH8vaZ_IYcgGXYgB0Hcs2suNH8t79KZQOTV7JU9co_KB-sCzW61aFYoRjN9l7FNwYr_dOOmn/s1600/935098_10151586334040831_54701310_n.jpg" height="400" width="312" /></a></div>
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">"Mi
piacerebbe calarmi i pantaloni di fronte al mondo</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Sono un uomo
dotato di mezzi (di scarsi mezzi)</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Ogni elettrodomestico</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">È come una
nuova scienza nella mia città.</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">E se
arriverà il giorno in cui proverò un’emozione spontanea</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Sarò così
sotto shock che probabilmente mi getterò nell’oceano</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">E quando
passa un treno</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Fa un suono
così triste…</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<br /></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Mi piacerebbe
calarmi i pantaloni di fronte alla Regina</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Ogni bambino
con un minimo di sensibilità ne capirebbe il significato</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Il povero e
il bisognoso</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Sono avidi
ed egoisti, secondo lei.</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">E se
arriverà il giorno in cui proverò un’emozione spontanea</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Sarò così
sotto shock che probabilmente mi getterò nell’oceano</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">E quando
passa un treno</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Fa un suono
così triste…</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<br /></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">E quando
sono steso a letto</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Medito sulla
vita e medito sulla morte</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">E nessuna
delle due mi attrae particolarmente</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">E se
arriverà il giorno in cui proverò un’emozione spontanea</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Sarà per me
un tale shock che probabilmente</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">mi stenderò
in mezzo alla strada e morirò,</span></span></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">mi stenderò
a terra e morirò."</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/8FnvUngF-pE?feature=player_embedded' frameborder='0'></iframe></div>
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<br /></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-70475570869981676042014-06-07T17:57:00.000+02:002014-06-07T17:57:55.986+02:00Solo la libertà può difendermi...<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><i><span lang="EN-US">IT’S ALL UP TO YOU</span></i></b><i><span lang="EN-US"><br />
<br />
</span></i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="font-size: large;"><i><span lang="EN-US">Got myself in trouble<br />
Really burst their bubble<br />
My head is going schizo<br />
I might embrace or kick you<br />
The nights are bright to dim me<br />
Self-righteous attitudes won't amend me<br />
I've tasted life, it sends me<br />
Only freedom can defend me<br />
<br />
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</span><div class="MsoNormal" style="margin-bottom: 0.0001pt;">
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No matter what they do<br />
It's all up to you)<br />
<br />
I got myself a cripple ... when I stepped outside<br />
Didn't kick the circle cause it's just a lot of jive<br />
I've got my dreams, I won't work for the man<br />
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<br />
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</span><div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="font-size: large;"><i><span lang="EN-US">(no matter what they say<br />
No matter what they do<br />
It's all up to you)</span></i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="font-size: large;"><i><span lang="EN-US">(no matter what they say<br />
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<br />
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<span style="font-size: large;">
<i><span lang="EN-US" style="font-family: "Calibri","sans-serif";">I
walk downtown<br />
Where everybody goes<br />
Leave me alone, I won't step on your toes<br />
I've got my plans, and they don't include<br />
Walking down the street in anybody else's shoes<br />
Got myself in trouble<br />
Really burst their bubble<br />
My head is going schizo<br />
I might embrace or kick you<br />
The nights are bright to dim me<br />
Self-righteous attitudes won't amend me<br />
I've tasted life, it sends me<br />
Only freedom can defend me<br />
<br />
(no matter what they say<br />
No matter what they do<br />
It's all up to you)</span></i></span><br />
<div class="separator" style="clear: both; text-align: center;">
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Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-23114186741365185362014-05-29T20:17:00.000+02:002014-05-29T20:17:41.650+02:00VIRGIN FOREST (Version 2): Ci siamo.<!--[if gte mso 9]><xml>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkafDpeWHO3obqvgWPjpyI7Wf2VpQxz8gMFuDduxLWewPBhokSgfa0PQbtoQDVnXI6tqTddTMnLL0zjeQuXIePCHn5IX1_8W-Bn1s1y0OdOj_pK44SLvEcEd_C_vobWXzHrzPcamiQmhtA/s1600/Incantatrice+di+serpenti+rid.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkafDpeWHO3obqvgWPjpyI7Wf2VpQxz8gMFuDduxLWewPBhokSgfa0PQbtoQDVnXI6tqTddTMnLL0zjeQuXIePCHn5IX1_8W-Bn1s1y0OdOj_pK44SLvEcEd_C_vobWXzHrzPcamiQmhtA/s1600/Incantatrice+di+serpenti+rid.jpg" height="618" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Illustrazione di Mr. Hyde per Virgin Forest</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
<br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<i><span style="font-family: "Cambria","serif"; font-size: 12.0pt;"></span></i><span style="font-size: large;"><span style="font-family: "Cambria","serif";"></span><i><span style="font-family: "Cambria","serif";"> </span></i></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">“Ci
siamo: ecco la seconda versione della vostra guida al "sommerso".</span></i></span></div>
<span style="font-size: large;"><i>
</i></span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">Ampliata,
rivista, illustrata, con una sezione interamente dedicata ai contributi della
Community.</span></i></span></div>
<span style="font-size: large;"><i>
</i></span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">Manca
ancora strada, mancano ancora citazioni: prima o poi arriveremo ad un prodotto
ulteriormente migliorato.</span></i></span></div>
<span style="font-size: large;"><i>
</i></span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">Nel
frattempo godiamoci questo, diffondiamolo e non rinunciamo al confronto e
all'approfondimento.”</span></i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="EN-US" style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">(EVIL MONKEY - http://theevilmonkeysrecords.blogspot.it/)</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">“Uno
scritto inconsueto ed affascinante. Molto dettagliato e ben scritto (grazie
davvero), che ripercorre episodi e gesta di un sentiero ancora giovane. Un
sentiero che tutti intraprendiamo, senza avere alcuna consapevolezza di dove ci
potrà condurre. E proprio per questo, lo seguiamo, ci intrufoliamo nelle
regioni più recondite della foresta; ed è come entrare in noi stessi,
riscoprire cose che pensavamo dimenticate, riconoscere sensazioni ancestrali,
comprendere che questo mondo è sempre stato li, con noi. Avevamo solamente
bisogno di imparare di nuovo a vederlo....”</span></i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Cambria","serif"; font-size: 12.0pt;">(LA
SCIGHERA, MAGAR - http://magar57.altervista.org/)</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<i><span style="font-size: large;"><span style="font-family: "Cambria","serif";">“Che
esperienza fantastica: in poco tempo è
venuto fuori un sommerso rigoglioso, grazie all’impegno tuo, Evil, e di tutti
coloro che hanno partecipato. Hai profuso idee ed energia, hai dato un'impronta
di qualità e di classe a questo lavoro raccogliendo i contributi di tutti,
aggiungendo il tuo, rendendoli concettualmente solidali, inquadrando il tutto
in maniera armonica e interessante. A mio parere assolutamente originale.Non è
facile in cosi poco tempo e con questi
risultati anche perché è necessaria una ampia visione d’insieme, una
facilità a muoversi in senso trasversale, dovuta ad un cospicuo bagaglio
culturale ad una conoscenza profonda di questo mondo affascinate e complesso.
Posso solo aggiungere di sentirmi onorato, di avere camminato per questi
percorsi con tutti quelli che hanno partecipato e partecipano, trattandosi di
una sorta di “ work in progress”, a quest’avventura animati da
intelletto,passione e conoscenza.Complimenti a tutti e grazie ancora!”</span></span><span style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-bidi-font-family: Cambria;"></span></i></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Cambria","serif"; font-size: 12.0pt; mso-bidi-font-family: Cambria;">(MR. HYDE - <a href="http://cassetticonfusi.blogspot.it/">http://cassetticonfusi.blogspot.it/</a>
e http://myguitarists.blogspot.it/) </span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Times New Roman","serif";">“Eccezionale.
Una lettura che apre gli occhi e le orecchie, davvero complimenti a tutti gli
autori.”</span></i></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Cambria","serif"; font-size: 12.0pt;">(DOMENICO
D’ALESSANDRO - <a href="http://progrocklittleplace.blogspot.it/">http://progrocklittleplace.blogspot.it/</a>)</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
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<span style="font-family: "Cambria","serif"; font-size: 18.0pt;"></span><a href="http://www.mediafire.com/view/lge5y8dj5vk7j03/VIRGIN_FOREST_ver02.pdf" target="_blank"><span style="font-family: "Cambria","serif"; font-size: 26.0pt; mso-ansi-language: IT; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">DOWNLOAD Virgin Forest Ver.2</span></a></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjduT-0NwpLy6sDYib7hckoqRR3SURghdaNE8qcxHANsLs_5fNbWN73i6MjPDUe-BRvzJQtZjlz5hnor3W9LlFx3B4b95Uw_2Ha49BBz8Mj9aTAsNBLTuRFdxtml53UzkWuZt6w4Pdr2R0g/s1600/emerso-sommerso+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjduT-0NwpLy6sDYib7hckoqRR3SURghdaNE8qcxHANsLs_5fNbWN73i6MjPDUe-BRvzJQtZjlz5hnor3W9LlFx3B4b95Uw_2Ha49BBz8Mj9aTAsNBLTuRFdxtml53UzkWuZt6w4Pdr2R0g/s1600/emerso-sommerso+2.jpg" height="640" width="524" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">By Mr. Hyde</td></tr>
</tbody></table>
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<br /></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-69345164558020729252014-05-12T21:13:00.001+02:002014-05-12T21:13:28.182+02:00Il Nuovo Scrittore Musicale<!--[if gte mso 9]><xml>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Pubblico
e sottoscrivo questa “invettiva”, redatta da Evil Monkey, in ossequio al <a href="http://theevilmonkeysrecords.blogspot.it/2014/01/manifesto.html"><span style="color: blue;">Manifesto</span></a>, già diffuso da questo blog e da <i><a href="http://theevilmonkeysrecords.blogspot.it/" target="_blank">The Evil Monkey's Records</a></i><a href="http://detritidipassaggio.blogspot.com/"><span style="color: blue;"></span></a></span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">***</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Ascoltare senza conoscere prima</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">(ascoltare il contrario)</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Frugare</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Frugare</span></b><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"> negli archivi, nella rete, tra le
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Frugare nei grandi labirinti
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Trasversalmente,
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Lasciare
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Descrivere
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Rompere
l'egemonia cartesiana di "genere" e "anno" - Utilizzarli
per ordinare gli scaffali, mai per organizzare un testo.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
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<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<i><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">…divagare,
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Non esiste <b>darwinismo</b>
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Non esiste derivazione obbligata.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Non esistono inventori obbligati.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Rifuggire
l'enciclopedismo</span></b><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Non esistono generi.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Non esiste tassonomia nemmeno in
natura, figuriamoci nell'arte.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Ragionare sul <b>limite</b>,
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<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Rifuggire
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Suggestione immediata</span></b><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"> non citazione.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<b><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Impressione personale</span></b><span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"> non riferimento.</span><span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;"></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: IT;">Frase (e musica) <b>rimodellata</b>
a memoria non virgolette (o pentagramma).</span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1rPLm164QcfOrbDXlaTg0q8YI_2RlhHiwc4ksNQ0AkiJP6hZP2kx0IPlZ_ENhNR965CWi99mHAFU5UmH9CrkCgX2KNYZ72YKhxl4oHj3y37sgK_WdzY6D2y4MiTYhI_b9ax0gd4j6S3Z/s1600/Manifesto_WC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE1rPLm164QcfOrbDXlaTg0q8YI_2RlhHiwc4ksNQ0AkiJP6hZP2kx0IPlZ_ENhNR965CWi99mHAFU5UmH9CrkCgX2KNYZ72YKhxl4oHj3y37sgK_WdzY6D2y4MiTYhI_b9ax0gd4j6S3Z/s1600/Manifesto_WC.jpg" height="640" width="417" /></a></div>
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<br /></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-27819000242105287032014-05-02T14:59:00.000+02:002014-05-02T15:26:00.850+02:00VIRGIN FOREST: Don Chisciotte e la Santa Inquisizione. <!--[if gte mso 9]><xml>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1sAzTNgnAHkv5gnRLhKNBiI9vc5KUSk5Texi-umUmsGWcmxZUVbBi8Ho7kN7Ox9QabZCAJWqUh8dZJLkOrlxhZN6UeOUNcQD-_6BxJSch3tpGegFWNeor36iAGnlJ9kd2Ci92csz4dvaS/s1600/Malleus+maleficarum.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1sAzTNgnAHkv5gnRLhKNBiI9vc5KUSk5Texi-umUmsGWcmxZUVbBi8Ho7kN7Ox9QabZCAJWqUh8dZJLkOrlxhZN6UeOUNcQD-_6BxJSch3tpGegFWNeor36iAGnlJ9kd2Ci92csz4dvaS/s1600/Malleus+maleficarum.jpg" height="400" width="280" /></a></div>
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><b><i><u><span style="font-family: "Cambria","serif";">DON
CHISCIOTTE E LA SANTA INQUISIZIONE</span></u></i></b></span></div>
<span style="font-size: large;">
</span><br />
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><b><i><span style="font-family: "Cambria","serif";">-Libello
semiserio e semifolle che comproverà la buona fede dell’intento-</span></i></b></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><u><span style="font-family: "Courier New";">(Con
un velato augurio ai Compagni di Viaggio e qualche riferimento a un Evil-Manifesto
di prossima pubblicazione)</span></u></span></div>
<span style="font-size: large;">
</span><br />
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Century Gothic","sans-serif";">Sfaccendato ascoltatore, benché sia noto a tutti che niuno, ch’abbia anco un
esilissimo filamento in capo di quella virtute cui i sommi studiosi s’appellano
col nome di ratio, e che da immemore tempo il volgo tiene per buon senso, giammai
risolverebbe d’entrarsi tutto solo nelle rimote terre della Foresta Vergine, ti
sia gradito sapere che se la tua assopita curiosità prender vorrà l’armi contro
la tua inoperosa indolenza, qui troverai mani tese in segno d’aiuto e d’accoglienza:</span></i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><a href="https://plus.google.com/u/0/communities/116345793649744060582" target="_blank"><span style="font-family: "Cambria","serif";">Virgin Forest GOOGLE + Community</span></a></span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";"><a href="https://www.facebook.com/VirginforestProject" target="_blank">Virgin Forest Project - Facebook Page</a></span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";"></span><span style="font-family: "Cambria","serif";">Perché c’è
il rischio di rimanerci sommersi, nel “sommerso”. C’è da perdersi anche avendo
sottocchio una mappa. Tautologicamente, il sommerso sommerge. </span></span>
</div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Coloro che
in anni passati ebbero l’ardire d’inoltrarsi nella Foresta Vergine <i>da soli</i> stanno ancora cercando la via
d’uscita; e quei pochi che rimpatriarono, furono costretti, lungo la via del
ritorno, a liberarsi di tutte le pietre preziose che vi trovarono; poiché,
partiti leggeri, si accorsero ben presto che l’ambito bottino era un fardello
talmente pesante da ostacolarne il ritorno. Costoro non avevano la benché
minima idea della quantità di mostruose meraviglie nascoste nella Foresta; e vi
si avventurarono senza mappe e, peggio ancora, senza compagni. Eroi. Che non
smetteremo mai di ringraziare.</span></span></div>
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<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;"><b><i><u><span style="font-family: "Cambria","serif";">Appunti
sparsi per non rincoglionirsi di “mantra millenari”</span></u></i></b></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoListParagraph" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: -18pt;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">1.<span style="-moz-font-feature-settings: normal; -moz-font-language-override: normal; font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span><span style="font-family: "Cambria","serif";">Occorre operare una
trasvalutazione nietzschiana dei valori e delle gerarchie dei valori nella
storia del rock. Per fare ciò, è necessario usare <i>il martello degli dèi</i> sulla testa degli dèi stessi, senza alcun
timore reverenziale, con eroico coraggio e un pizzico di quel folle e
scriteriato slancio impetuoso quasi futurista.</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoListParagraphCxSpFirst" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: -18pt;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">2.<span style="-moz-font-feature-settings: normal; -moz-font-language-override: normal; font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span><span style="font-family: "Cambria","serif";">Dobbiamo scrivere lo
“ZANG TUMB TUMB” della <i>popular music</i> -
per setacciare la Foresta Vergine non sono sufficienti la competenza del rabdomante
e l’abilità dello speleologo; né basta la poesia dell’eversivo, la prosa del
ribelle. </span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoListParagraphCxSpMiddle">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoListParagraphCxSpLast" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: -18pt;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">3.<span style="-moz-font-feature-settings: normal; -moz-font-language-override: normal; font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span><span style="font-family: "Cambria","serif";">Occorrono nuovi occhi,
nuove orecchie, nuova lingua. Occorre praticare con sistematicità l’eresia.</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoListParagraph" style="margin-bottom: 0.0001pt; text-align: justify; text-indent: -18pt;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">4.<span style="-moz-font-feature-settings: normal; -moz-font-language-override: normal; font-family: "Times New Roman"; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span><span style="font-family: "Cambria","serif";">Bisogna trasformarsi in funamboli
della visione, acrobati dell’ascolto, contorsionisti della sintassi. Non si può
scrivere dei <b>Crass</b> utilizzando le
stesse parole che utilizzeremmo per scrivere dei <b>Clash</b>. E non possiamo continuare a farci raccontare che <b>Bruce Springsteen</b> è meglio di <b>Bob Seeger</b>.</span></span></div>
<span style="font-size: large;">
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<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
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</span><br />
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Indagare l’ignoto
è affare da alchimisti. Siamo nella fase della <i>nigredo: </i>la dissoluzione
dell’Io, la putrefazione dell’Ego. </span></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";">(E non
suona terribilmente sarcastico, terribilmente beffardo, tutto ciò, per noi <b><u>atei rock</u>?</b>)</span></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Il rischio,
altissimo, è la scomunica. Per i casi più estremi e gravi anche la tortura. La Santa
Inquisizione dei monsignori critici <i>mainstream
</i>e dei <i>frati alternativi </i>opporrà
la sua divina supponenza alle nostre ermetiche blasfemie: rimanendo indifferente,
fingerà di non accorgersi dell’esistenza di Nuovi Scrittori Musicali. </span></span></div>
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</span><br />
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Nella
nostra vilissima e meschinissima epoca, gli strumenti di tortura non sono più
la “culla di Giuda”, la cremagliera, lo “spaccaginocchio”, la gogna o la
celeberrima <b><i>“iron maiden”</i></b>. Oggigiorno la tortura più grande che si possa
infliggere a un essere umano è l’indifferenza: la colpevole ammissione della
sua non-esistenza. </span></span></div>
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<![endif]--><span style="font-size: large;"><span style="font-family: "Cambria","serif";">È per
questo che avventurarsi nella Foresta Vergine per recuperare il sommerso
significa anche <b>lottare contro l’indifferenza,
e contro la supponenza</b> (quella vera, non quella ironicamente e
intenzionalmente tronfia di questo scritto) di chi si autoproclama profeta
laddove di profeti non v’è alcun bisogno.</span>
</span></div>
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">N.B. Ogni riferimento alle vicende politiche
italiane degli ultimi quattro mesi, in quest’ultimo capoverso, è puramente accidentale.</span></i></span></div>
<br />
<span style="font-size: large;">
<span style="font-family: "Cambria","serif";"></span></span><br />
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Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-57248481892779319262014-04-11T19:28:00.000+02:002014-04-11T19:31:19.296+02:00OUT OF BLUE – Testo integrale in formato PDF “tascabile”.<div class="separator" style="clear: both; text-align: center;">
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<br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Sulla scia
di quanto già fatto da <b>Evil Monkey</b>
(che è anche il promotore, curatore e ideatore del progetto), pubblico anch’io
non senza “un pizzico di vanteria” l’integrale di <b>OUT OF BLUE. </b>O, per meglio dire, vi metto a disposizione il link da
cui potrete scaricare il tascabile in formato PDF. </span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Colgo l’occasione
per ringraziare di cuore (e lo dico davvero, non sto usando in modo di dire),
tutti i partecipanti. </span></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";">È stato
un onore e un piacere “lavorare” con voi:</span></span></div>
<span style="font-size: large;">
</span><br />
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<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="font-family: "Arial","sans-serif";">Massimiliano
Manocchia (Massi)</span></div>
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<a href="http://detritidipassaggio.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://detritidipassaggio.blogspot.com</span></a><span style="font-family: "Arial","sans-serif";"></span></div>
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</div>
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<span style="font-family: "Arial","sans-serif";">Vlad</span></div>
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<a href="http://isle-of-noises.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://isle-of-noises.blogspot.com</span></a><span style="font-family: "Arial","sans-serif";"></span></div>
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- See more at: http://theevilmonkeysrecords.blogspot.it/#sthash.cGxmnUI1.dpuf</div>
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<span style="font-size: large;"><i><b>
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<span style="font-size: large;"><i><b><u><span lang="EN-US" style="color: blue; font-family: "Arial","sans-serif";"><a href="http://theevilmonkeysrecords.blogspot.com/">http://theevilmonkeysrecords.blogspot.com</a></span></u><span lang="EN-US" style="font-family: "Times New Roman","serif";"></span></b></i></span></div>
<span style="font-size: large;"><i><b>
</b></i></span><br />
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<span style="font-size: large;"><i><b>
</b></i></span><br />
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<span style="font-size: large;"><b><span style="font-family: "Arial","sans-serif";">Vlad</span></b></span></div>
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<span style="font-size: large;"><i><b><span style="font-family: "Times New Roman","serif";"><a href="http://isle-of-noises.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://isle-of-noises.blogspot.com</span></a></span></b></i></span></div>
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<span style="font-size: large;"><i><b>
</b></i></span><br />
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<span style="font-size: large;"><b><span style="font-family: "Arial","sans-serif";">Bartolo Federico (Bart)</span></b></span></div>
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<span style="font-size: large;"><i><b><span style="font-family: "Times New Roman","serif";"><a href="http://dustyroad-federico.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://dustyroad-federico.blogspot.com</span></a></span></b></i></span></div>
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<span style="font-size: large;"><i><b>
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<span style="font-family: "Arial","sans-serif";">Vlad</span></div>
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<span style="font-family: "Arial","sans-serif";">Bartolo
Federico (Bart)</span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="http://dustyroad-federico.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://dustyroad-federico.blogspot.com</span></a><span style="font-family: "Arial","sans-serif";"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
</div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">Mr. Hyde</span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="http://myguitarists.blogspot.com/"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">http://myguitarists.blogspot.com/</span></a></div>
- See more at: http://theevilmonkeysrecords.blogspot.it/#sthash.cGxmnUI1.dpuf</div>
<div id="stcpDiv" style="left: -1988px; position: absolute; top: -1999px;">
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="font-family: "Arial","sans-serif";">Massimiliano
Manocchia (Massi)</span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="http://detritidipassaggio.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://detritidipassaggio.blogspot.com</span></a><span style="font-family: "Arial","sans-serif";"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
</div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="font-family: "Arial","sans-serif";">Vlad</span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="http://isle-of-noises.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://isle-of-noises.blogspot.com</span></a><span style="font-family: "Arial","sans-serif";"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
</div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span style="font-family: "Arial","sans-serif";">Bartolo
Federico (Bart)</span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="http://dustyroad-federico.blogspot.com/"><span style="font-family: "Arial","sans-serif";">http://dustyroad-federico.blogspot.com</span></a><span style="font-family: "Arial","sans-serif";"></span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
</div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">Mr. Hyde</span></div>
<div align="center" class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="http://myguitarists.blogspot.com/"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;">http://myguitarists.blogspot.com/</span></a></div>
- See more at: http://theevilmonkeysrecords.blogspot.it/#sthash.cGxmnUI1.dpuf</div>
<span style="font-size: large;"></span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">Anticipo
un passaggio che sarà oggetto di trattazione nel mio prossimo post. </span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">(Ho
detto “il prossimo”? Non contateci troppo).</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i><span style="font-family: "Cambria","serif";">“Parlare del desiderio significa parlare
dell’ignoto, del desiderio di libertà: la libertà della nostra vita sociale,
che noi assumiamo come nostro principale impegno, aprirà le porte di un nuovo
mondo. È impossibile conoscere un desiderio senza soddisfarlo, e la soddisfazione
del desiderio è rivoluzione. […] La cultura odierna, essendo individualistica,
ha sostituito la creazione con la “produzione artistica”, ed ha prodotto
soltanto segni di tragica impotenza. […] Creare è sempre scoprire ciò che non
si conosce. È il nostro desiderio a fare la rivoluzione.”</span></i><span style="font-family: "Cambria","serif";"> </span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="font-family: "Cambria","serif";">(Constant,
editoriale del quarto numero della rivista ‘CO.BR.A’, 1949).</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt;">
<span style="font-size: x-large;"><b><a href="https://mega.co.nz/#!gdchCb6B!4VGsB2t2JnjwL3Ewv8tEQBXpblhwOOUdDRqgvTvJsiM" target="_blank"><span style="font-family: "Cambria","serif";">OUTOF BLUE (Download)</span></a></b></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-42969738790936472842014-03-14T11:55:00.000+01:002014-03-14T11:55:55.067+01:00Out of Blue – Sulle tracce di Ulisse (benvenuti al sud)<div class="separator" style="clear: both; text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir71Wkx5oy-0Hb0wpYzy7rCVHFttZsmF8pevoK5zQpgkWmieKeWwGuOaMSjULuFw5XPJXnfBn5ozZY8dh2M8K4WGTAJgBpArPj0X6eIxpMMlK3vMxEoM8fzTNTzVQlQ0CO2VRnwb9WYh-e/s1600/omero+bluMOD+ink.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir71Wkx5oy-0Hb0wpYzy7rCVHFttZsmF8pevoK5zQpgkWmieKeWwGuOaMSjULuFw5XPJXnfBn5ozZY8dh2M8K4WGTAJgBpArPj0X6eIxpMMlK3vMxEoM8fzTNTzVQlQ0CO2VRnwb9WYh-e/s1600/omero+bluMOD+ink.jpg" height="483" width="640" /></a> </div>
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<br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Naviganti raminghi tra Mediterraneo e Mali. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Imbarchiamo un altro naufrago, e non potevamo farne a meno: Bart,
autore di <a href="http://www.lulu.com/it/it/shop/bartolo-federico/viaggiatori-nella-notte/paperback/product-21351555.html">Viaggiatori
nella Notte</a> e curatore del blog <a href="http://dustyroad-federico.blogspot.com/">Dustyroad</a>. Amico – virtuale,
ma molto meno di altri in cane ed ossa – di vecchia data.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Attenzione: qui non è luogo di elogi ad Eric Clapton o elegie per B.B.
King; qui sono banditi l’accademismo e lo storicismo.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Contributi di:</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Evil Monkey</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><a href="http://theevilmonkeysrecords.blogspot.it/">http://theevilmonkeysrecords.blogspot.it</a></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Massimiliano Manocchia</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><a href="http://detritidipassaggio.blogspot.com/">http://detritidipassaggio.blogspot.com</a></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Vlad</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><a href="http://isle-of-noises.blogspot.com/">http://isle-of-noises.blogspot.com</a></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Bartolo Federico</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><a href="http://dustyroad-federico.blogspot.com/">http://dustyroad-federico.blogspot.com</a></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">immagine di copertina a cura di Mr. Hyde</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div align="center" class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: large;">***</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Bart</b>: Il blues è
refrattario come gli anarchici. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Nella scrittura, duri e puri, lo sono stati Cèline, Bukowski. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Nella musica, Captain Beefheart è quello che, tramite la ruvidità del
blues, ha mostrato al mondo il suo delirio interiore. Per questi artisti potete
usare qualunque aggettivo, insolenti, provocatori, eccessivi, geniali, vedrete
che gli calzerà a pennello. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Il blues è l’uomo nella sua reale miseria. Qualunque essa sia. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">È la sua reazione a quello stato che non sopporta più, che genera il
blues. Il blues non è la lista della spesa, i buoni o i cattivi, il bianco o il
nero. Il blues è la desolazione senza sbocco, il sapere che nessuno oltre te,
può fare qualcosa per la propria esistenza. Per questo il blues non è di
sinistra. Come invece hanno cercato di farci intendere i critici musicali di
quell’area politica, mettendone in risalto solo la condizione sociale, da cui
scaturiva. Il blues si è sempre abbeverato nella disperazione, nel pessimismo.
Il blues è abdicazione al potere. Il blues non è rivoltoso. Chi lo ha pensato
si è sbagliato di grosso. Un tempo ho fatto anch’io questo errore. Può arrivare
da qualunque parte, il blues. Ma chi lo canta ha bisogno di cose materiali, ha
bisogni veri. Perché è in quel momento che ha cessato di essere rispettabile
all’occhio del mondo. Il blues del Delta è musica pura, di uomini puri, che
ancora non si sono massificati, perché suonavano se stessi. A quel tempo il blues
era tutto istinto. E l’istinto è poesia. Almeno per quanto mi riguarda. Poi il
blues come ogni cosa che cammina, è diventato qualcos’altro. Ma non sta a me
giudicare. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>Safe As Milk</i>, ha dentro di
se quella purezza primordiale.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>E.M.: </b>Cosa c’è veramente di
<b><i>primordiale</i></b>
nel blues?</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Ripenso ad Ulisse, a Schwingungen degli Ash RaTempel; e ad una riga
scrittami da Mr. Hyde per mail <i>“Mi sono
lasciato suggestionare da Omero e dai contenuti 'blues' dell'Odissea, il
girovagare, le donne, il vino e il loto”.</i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">A suo tempo scrissi qualcosa sul disco degli Ash RaTempel:</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>“Quando la melodia getta
finalmente l'ancora, i naufraghi del cosmo trovano la loro casa. Una voce
suadente, fascinosa, carezzevole; che non è più il subdolo canto della Canzone
delle Sirene di Buckley, ma la melodia che Odisseo udì appena poggiato il piede
sulla spiaggia sassosa di Itaca. </i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>Il canto di casa.”</i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Empatia?</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Allora, quanto è “blues” questa Odissea? C’è il vagabondare: con una
meta, ma senza una strada. C’è una donna da ritrovare, che lungo il percorso
però viene tradita, perché le circostanze sono forti e la carne eternamente
debole. C’è il vino, c’è l’oblio, i compagni di viaggio.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Eppure faccio un’enorme fatica ad associare in qualche modo la
mitologia classica alla mitologia blues, che affonda le radici in un passato
molto più prossimo e in un territorio che tutt’al più può essere quello del
bacino del Congo, piuttosto che del Mediterraneo. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Non è la “primordialità” di Odisseo la stessa del blues, con buona
pace di <i>Tales Of Brave Ulysses </i>dei
Cream, una minima coincidenza puramente accidentale.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Forse è primordiale per tecnologia (o non tecnologia), anzi forse è
quel suo essere intrinsecamente anti tecnologico. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">O magari è primordiale nella voce, nella forma più che nei contenuti, nell’espressione,
nel lessico con la sua fissità da fossile vivente. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">O forse abbiamo solo scelto l’Ulisse sbagliato.<i>(Massi gradirà questo assist…)</i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">E poi c’è una cosa che vorrei sapere da Bart: è possibile un blues
svincolato dal “sud”? </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Di qualunque “sud” si tratti: geografico, politico, sociale. Dovunque
si trovi.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>South Side Blues Jam </i>di
Junior Wells suonerebbe altrettanto bene come <i>North Side Blues Jam</i>?</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Il profondo “sud del Sud dei santi”. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">E’ lì che nasce tutto, anche nella nostra piccola penisola?</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Bart:</b> Il blues ha tempi lenti, dilatati. A dispetto dei suoi
esecutori, si muove poco è pigro, sonnecchia svogliato di fronte alla palude, o
al grande fiume, o scrutando il mare. È nelle corde di chi nasce, dimenticato
dal mondo nei luoghi dove il tempo sembra non esistere, dove tutto viene
rimandato a dopo, dove non c’è molto da fare, che il blues è nato. Nella
polvere del sud, nelle comunità rurali della gente di colore. Il nord è solo la
terra promessa. Dove c’è lavoro pagato per tutti (una volta)…</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">“<i>Il blues è nato nei campi di cotone dove si lavorava duro e il
padrone non pagava</i>”. <i>(Sonny Terry)</i></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Il blues per come lo sento nella mia anima, resta ancorato ai
paesaggi, ai colori, alle sensazioni, che solo il sud possiede. Poi è possibile
anche un blues fuori da quei luoghi. Certo che è possibile. Ma suona in un
altro modo. E’ un'altra cosa. Vlad la scorsa volta ha fatto la
differenziazione tra quello che per lui è blues, è quello che non lo è. Parlava
in prevalenza di bianchi, se non erro. Ma chi è più blues tra: Blind Willie Mctell,
e Sleepy John Estes? </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Il blues del delta è musica ostica ,difficile da digerire, non è
adatta al mercato radiofonico. Non tutti hanno la pazienza di ascoltare quei
suoni sghembi, ossessivi, che non seguono alcun tempo,e vanno a ruota libera.
Quando si parla di blues, si parla sempre del blues elettrico, per giunta fatto
dai bianchi. <b>Ma quella è la Musica Blues</b>. <b>Non è il Blues</b>. Il
blues tradizionale non si può trascrivere, è strano, dopo tre pezzi ti rompi i
coglioni. Certo se non c’erano i musicisti bianchi, anche Robert Johnson non
sarebbe diventato una leggenda. Ma quanti fruitori di musica hanno davvero
ascoltato Robert Johnson? Il blues tradizionale è quello meno conosciuto, il
più declassato. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Per questo è nato <a href="http://dustyroad-federico.blogspot.com/">Dustyroad</a>.
Scrivo i miei racconti con la speranza che chi legge, si possa innamorare di
quei pezzenti, e andare anche per un solo attimo ad ascoltarli. Il mio compito
è questo. In nome del Blues. Del sud.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Massi: </b>Eccome se gradisco
l’assist, caro Evil. Vorrei prima però soffermarmi su un’affermazione di Bart
che trovo tanto sorprendente quanto vera: “<i>[…]
il blues non è di sinistra</i>.” Sorprendente perché va senza dubbio contro
corrente rispetto alla convenzione (o luogo comune) che vorrebbe la cultura
appannaggio della sinistra; vera perché se oggi, nel 2014, siamo ancora qui a
parlare di blues - e non, ad esempio, di <i>ragtime</i>
o di twist - la ragione va forse ricercata proprio in quel suo non essere
ideologico che lo rende universale: pur mutando, o meglio, proprio in virtù della
sua capacità di mutare, il blues va nutrendosi della propria continuità, della
propria “adattabilità” al momento, ben lontano dalle banalizzazioni modaiole
del <i>carpe diem</i> o da certo
“compassionismo” estetico, tanto in voga in una società come la nostra dove il <i>politically correct</i> è ancora d’obbligo.
Il bluesman – il <i>vero</i> bluesman,
intendo – se ne fotte del <i>politically correct</i>
e se ne fotte anche della legge. Cito ancora Bart: “<i>Il blues è l’uomo nella sua reale miseria. Qualunque essa sia</i>.”</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Ed è qui che raccolgo l’assist fornitomi da Evil per spostarmi su un
terreno che mi è caro tanto quanto quello della musica: la letteratura. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Splendide le suggestioni omeriche di Mr. Hyde, e forse il collegamento
tra “mitologia classica” e “mitologia blues” potrebbe trovarsi in quello che
ritengo essere il libro più importante del Novecento e che delle peregrinazioni
di Ulisse dà una lettura parodistica, ricostruendo in chiave modernista
l’intera epopea omerica. Una delle innumerevoli chiavi di lettura di <i>Ulysses</i> è il neanche troppo velato
sberleffo al vittoriano “eccesso di civiltà.” Mr Bloom è un <i>outsider</i>, è l’eroe moderno colto “nella
sua reale miseria.” Umana, aggiungo io. Joyce recupera un mito classico
(quello, appunto, di Ulisse), ne decostruisce l’ellenicità e lo trasforma -
parodiando un altro mito, quello dell’ebreo errante - nell’eroe moderno. Lo
sottopone a continue umiliazioni, sfide e derisioni; lo colloca in situazioni
complicate e fastidiose; ce lo mostra nei suoi momenti più vulnerabili, umani,
ordinari (mentre defeca leggendo il giornale, ad esempio) e ci regala il flusso
costante dei suoi pensieri, guidati dal bordone di una malinconia incessante e,
a tratti, dolcissima. Come il suo creatore, ebreo di origini ungheresi in terra
d’Irlanda, Mr Bloom è un esiliato in patria. I continui richiami alla
fascinazione per l’oriente nei suoi monologhi hanno la stessa profondissima essenza
delle “lamentazioni” del delta del Mississippi. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Costretto a soffrire il trauma emotivo e psicologico del tradimento
della moglie, dell’antisemitismo, di un’esistenza vissuta ai margini della
società, Mr Bloom sostituisce lo stoicismo greco con l’umana imperfezione.
Joyce ne dettaglia le più banali attività quotidiane e mette in evidenza,
talvolta con tocco di compiaciuto feticismo, peccati e tabù dell’essere umano:
defecazione, minzione, golosità, masturbazione, voyeurismo, alcolismo,
sadomasochismo, ecc.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Se – in aggiunta a quanto teorizzato nelle precedenti conversazioni –
il blues è <i>anche</i> uno stato d’animo,
allora Mr. Bloom è uno dei personaggi più blues di sempre.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Non credo sia possibile un blues “svincolato dal sud,” se per “sud”
intendiamo i confini connotativi tracciati in precedenza da Vlad, e condivido
l’acutissima distinzione di Bart tra “blues” e “musica blues” (bellissimo tema,
peraltro, da sviluppare); tuttavia un blues iperboreo è possibile, ma sarà
sempre derivativo, e gli Ash Ra Tempel sono lì a dimostrarlo. </span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Alla stregua dell’apprendista che, all’inizio del suo percorso
iniziatico, viene posto davanti al bivio tra “via umida” e “via secca”, Il
blues(man) rappresenta l’eterno dubbio dell’uomo che non ha ancora deciso se
seguire il “canto di casa” o lasciarsi avvolgere nel dolce oblio del “canto
delle sirene.”</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Vlad:</b> <b>il blues non è di sinistra</b>. Bene. Il blues non è rivoltoso, non è
di sinistra. Non è attivo. Son d’accordo: infatti appartiene a chi ha già
perso. Come ho già detto: si cerca di riguadagnare la propria patria (la
propria cultura) nelle terre del vincitore; spesso con gli strumenti stessi del
vincitore. I canti di guerra non sono blues; le trombe dell’attacco di
cavalleria nemmeno; gli inni di vittoria neanche. Al blues appartiene la
sconfitta, inevitabile. In un certo senso: il blues si crogiola nella sconfitta
e nell’elegia; non gli è indifferente, tuttavia, lo sberleffo per il vincitore.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Blues e sud</b>. Nei limiti
tracciati sopra: se al blues appartiene la sconfitta, per Sud occorre intendere
gli sconfitti, gli esiliati, gli immigrati, i senza patria. I nordici emigrati
a Pittsburgh avevano i loro canti di lavoro blues: erano Sud anch’essi. <span lang="EN-US">Andrew Kurely (operaio slovacco
immigrato autore di American land) è Sud e blues; i Blues Brothers no. Andrew
Kurely, come Robert Johnson, è blues; i Blues Brothers fanno musica blues.</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Odisseo</b>. Ulisse alla corte
di Circe o di Nausicaa ha improvvisato sicuramente canti blues. Ne ho la
certezza. Appena rientrato a Itaca avrà deposto l’elegia e cantato un inno di
guerra: era a casa, infatti.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">I Greci, distrutti dall’economia di rapina, esiliati in patria,
suoneranno blues. Presto intoneremo blues anche noi.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">A margine di Odisseo. C’è un libercolo interessante in giro: Felice
Vinci, Omero nel Baltico. Più che un libro è una affascinante congettura. In
esso l’autore ipotizza che l’Iliade e l’Odissea fossero originariamente ambientate
nella regione baltica (Danimarca, Norvegia, Svezia, Finlandia) e quindi, dopo
la migrazione dei popoli nordici verso il Sud (lungo le direttrici dei fiumi
russi), riadattate al contesto mediterraneo. Omero sarebbe, perciò, un bluesman
situato a Sud che rimpiange elegiacamente il Nord; e in tal caso il Nord
sarebbe davvero un Sud.</span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Una proposta: considerare il blues come l’elegia cantata dei poveri,
dei diseredati, dei senza patria, dei nostalgici. <span lang="EN-US">Dei sudisti dell’anima.</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">PLAYLIST</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">Captain Beefheart
& His Magic Band - Safe as Milk (1967)</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">Cream - Tales of
Brave Ulysses</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">da: Disraeli Gears
(1967)</span></span></div>
<span style="font-size: large;">
</span><div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">Junior Wells - South
Side Blues Jam (1970)</span></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com2tag:blogger.com,1999:blog-2340053795630860480.post-37997806700522758012014-03-10T23:33:00.000+01:002014-03-10T23:33:48.468+01:00In (non) difesa della compilation…<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b><span style="font-family: "Cambria","serif";">…ovvero prima eccezione che
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<span style="font-size: large;"><span style="font-family: "Cambria","serif";">In risposta
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a <b><i><a href="http://theevilmonkeysrecords.blogspot.it/">The Evil Monkey’s Records</a></i></b>, pubblico questo brevissimo articolo a sostegno
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Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0tag:blogger.com,1999:blog-2340053795630860480.post-18626071023996951962014-02-24T15:32:00.000+01:002014-02-25T09:01:31.448+01:00Out of Blue – Un collage<!--[if !mso]>
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<span style="font-size: large;">Ovvero liberi percorsi per strade secondarie. Accogliamo viandanti e
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<span style="font-size: large;"><span lang="EN-US">Evil Monkey</span></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><a href="http://theevilmonkeysrecords.blogspot.it/"><span lang="EN-US">http://theevilmonkeysrecords.blogspot.it/</span></a><span lang="EN-US"></span></span></div>
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</span><br />
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<br /></div>
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</span><br />
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<span style="font-size: large;">Massimiliano Manocchia</span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><a href="http://detritidipassaggio.blogspot.com/">http://detritidipassaggio.blogspot.com/</a></span></div>
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</span><br />
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<br /></div>
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</span><br />
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<span style="font-size: large;">Vlad</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><a href="http://isle-of-noises.blogspot.com/">http://isle-of-noises.blogspot.com/</a></span></div>
<span style="font-size: large;">
</span><br />
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<br /></div>
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</span><br />
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<span style="font-size: large;">Mr. Hyde</span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><a href="http://myguitarists.blogspot.com/">http://myguitarists.blogspot.com/</a></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><a href="http://cassetticonfusi.blogspot.com/">http://cassetticonfusi.blogspot.com/</a></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><a href="http://buioeleintenzioni.blogspot.com/">http://buioeleintenzioni.blogspot.com/</a></span></div>
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</span><br />
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<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Mr. Hyde che ringraziamo, oltre che per i contributi scritti, per il
video e le immagini che trovate in questo post.</span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><b>***</b></span></div>
<span style="font-size: large;">
</span><br />
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<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>E.M.:</b> <a href="http://detritidipassaggio.blogspot.com/2014/02/out-of-blue-una-conversazione.html">Laprecedente conversazione</a> si è chiusa con una proiezione futurista del blues
sulle autostrade dei Kraftwerk.</span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;">Riprendo dunque il filo quindi dai territori impervi del kraut-rock,
ma lo faccio in modo meno fantasioso di Massi e mi limito a citare un brano da Schwingungen
degli Ash Ra Tempel, <i>Light: Look at your Sun</i>,
uno dei massimi esempi di blues incisi <i>al
di qua</i> dall'Atlantico.E' il pezzo che Morrison e Buckley avrebbero sempre
voluto cantare; e a dirla tutta ci sono andati vicino, (sopratutto Tim). Eppure
quella vocalità dimessa, fatalista, di John L. accompagnata da quel notevole
chitarrista che fu Gottsching, genera una foschia violacea ammantata di <i>blue</i> a cui ogni appassionato faticherà a
resistere.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Non vado oltre, perchè in realtà vorrei rileggere l'intervento di Vlad
(<a href="http://isle-of-noises.blogspot.it/2014/01/pyramids-lalibela-1973-ovvero-come.html">http://isle-of-noises.blogspot.it/2014/01/pyramids-lalibela-1973-ovvero-come.html</a>),
perentorio quanto chiaro nelle definizioni.Lo condivido in buona parte, mi
piace l'ardire di citare Afrika Bambaata, Galeano e la “lavandaia italiana”.
Cos’è per lui il blues:</span></div>
<span style="font-size: large;">
</span><br />
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<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>“È prima dell’accademia. È la
terra.</i></span></div>
<span style="font-size: large;">
</span><br />
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<span style="font-size: large;"><i>I canti degli italiani
immigrati; degli europei immigrati in America ad esempio nordici, irlandesi,
ebrei, est europei: sono blues.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>Il blues appartiene agli
sconfitti.</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>Il blues all’opposizione. Contro
il potere, inevitabile.”</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Scrivi blues, leggi <i>folk</i>.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Ma non sarà - e risparmiatemi le critiche per la superficialità dell'assunto
- che <i>il blues sia il folk dei neri, e il
folk il blues dei bianchi?</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Se gli orizzonti culturali, geografici e l'estrazione sociale degli
esecutori sono così sovrapponibili, allora per trovare una discriminante
dobbiamo davvero tornare al pentagramma?Le blue note, le 12 battute, la
struttura AAB…</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Alla fine dipende magari da come si afferra uno strumento. Nella presa
del manico sta tutto. Del simpatico Big Jim Courier dicevano che impugnava la
racchetta da tennis come fosse una mazza da baseball; con violenza e scarso
talento tecnico.Il nero strappa chitarra e armonica dalle mani degli europei e
le suona sovrapponendo la sua cultura musicale a quella per cui quegli
strumenti erano stati fabbricati. Folklore sovrapposto ad hardware sonoro.Si
direbbe d'istinto, senza metodo;con scarsa tecnica, inventando per necessità.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><i>Mother of invention?</i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Lo strisciare un coltello sulle corde per riprodurre i miagolii degli
strumenti monocordi tribali. E se non c’è il coltello? Va bene anche il collo
di una bottiglia. Ecco l’invenzione. E la necessità.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Soffiare in un armonica diatonica per riprodurre una scala cromatica.
E le note mancanti? Si soffia in modo da piegare appena l’ancia, ed ecco fatto.
Alla lunga lo strumento si rompe, ma la nota si trova.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Necessità, invenzione.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Sarà così, o stiamo ancora perpetrando il mito del buon selvaggio che
bambinescamente soffia coi sui labbroni nella Marine Band della Hohner e la
trasforma in un piccolo sax tascabile? E’ davvero frutto di un approccio
infantile, sregolato, estemporaneo e un po’ bizzarro? Chi si azzarderebbe a
dire lo stesso del jazz?</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Queste sono riflessioni che facevo mentre mi rigiravo tra le mani
alcuni vecchi LP della gloriosa serie Folk della Fonit-Cetra,quella collana
diretta da Giancarlo Governi per cui nei tardi anni '70 sono stati pubblicati
numerosi album, tra cui senza dubbio ci sono anchele canzoni della “lavandaia”
citata da Vlad.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Non so se quelle pubblicazioni siano mai state ristampate in CD; i
vinili a volte li potete reperire in qualche negozio di seconda mano, forse
anche a qualche vinylmania, pur se non sono considerati oggetti molto “cool”.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Tra i vari che ho soppesato ho optato per <i>Gli alberi crescono alti (canzoni di lavoro, d'amore di guerra e di
lotta delle Isole Britanniche)</i> di Fred Lane e Kjell Westling, con una
bellissima cover illustrata dagli Arcani Maggiori da farlo sembrare qualche
oscuro progressive mistico. </span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Che c'entra col blues? Forse nulla, è un grande album
involontariamente freak come fossa la Incredible String Band. Però è tutto
quello che Vlad cita come "essere blues" e con cui sono d'accordo.</span></div>
<span style="font-size: large;">
</span><br />
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<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Vlad:</b> Allora: un esempio.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Gli africani se ne stanno nella loro terra; qualcuno suona con
strumenti indigeni; altri con strumenti influenzati dalla matrice araba
islamica…</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">La loro musica può essere vincente, dolorosa, di vittoria,
celebrativa, ma rimane la loro musica.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Gli africani vengono razziati, la loro cultura, di fatto, distrutta.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Essi cercano di ripristinarla in condizioni avverse, culturali,
sociali, riadattando gli strumenti e formalizzando il tutto secondo le teorie
dei conquistatori.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">La lama del coltello, il collo della bottiglia, le scale…</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Ecco il blues.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Allo stesso modo: Pizarro distrugge gli Incas; la loro cultura è di
fatto dispersa.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Settant’anni dopo un discendente di Atahuallpa (ultimo sovrano Inca
ucciso da Pizarro), il grande poeta inca (ma spagnolo naturalizzato) Garcilaso
de la Vega, cerca di evocare la propria terra con gli strumenti linguistici,
culturali e politici del conquistatore.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Una operazione blues.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Non so che chitarre o flauti
avessero gli Incas. Sorge una domanda: i peruviani oggi fanno il blues?
Ricreano in terra ostile, con strumenti stranieri, le melodie Inca?</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">E i messicani fanno lo stesso con gli Aztechi?</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">E gli aborigeni australiani? E i persiani?</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">E i calabresi che suonano la pelle della capra che fanno? I calabresi,
i Greci, la tragedia (detta canto del capro) … che musica avevano i Greci nella
tragedia? Cosa sopravvive oggi delle culture sconfitte, cancellate, e viene
riproposto (anche involontariamente) con diversi mezzi, quelli attuali, quelli
dei vincitori?</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">C’è da indagare per decenni … Siria, Sardegna, Normandia, Yemen,
Australia, Galles …</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Il blues afroamericano è così famoso solo perché vicino a noi e
miracolosamente vicino ai registratori vocali di Lomax e compagnia. In caso
contrario (afroamericani razziati nel 1500 e peruviani sin nel 1800 e passa)
non avremmo mai avuto Blind Lemon Jefferson o Leadbelly, ma una pletora di
sudamericani che suonava strumenti Inca riadattati … Eric Clapton avrebbe schitarrato
col suo nuovo gruppo: Balseros del Titicaca …</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Il blues (quello classico e riverito) ha avuto una fortuna sfacciata.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b>Massi:</b> Ah, gli Ash RaTempel:
mi hai colpito in un punto debole… che mi strappa ovvietà adolescenziali: è una
delle mie band preferite (l’ho detto, chiedo venia). E quel John L. che nella
vocalità somiglia non poco a un altro John L., arrivato quasi un lustro dopo a
minacciare l’anarchia nel Regno Unito, per poi trasformarsi in un <i>muezzin</i> che intona cupi mantra
psicotici.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Inevitabile che si debba parlare anche di <i>folk</i>. Nessuna critica per la “superficialità dell’assunto”, poiché
anche un’eventuale definizione di folk deve per forza possedere i connotati
delineati da Vlad. Forse in parte sì, dobbiamo tornare al pentagramma, a patto
che si comprenda che il blues non è trascrivibile. O meglio, lo sarebbe anche,
ma se provassimo a suonare un blues eseguendo pedissequamente, vale a dire col
“rigore esecutivo” cui si accennava, la trascrizione, il risultato sarebbe
tutto fuorché blues. Mi spingo oltre: se inseriamo un brano qualsiasi, anche di
musica classica, in uno dei tanti software che “suonano” i pentagrammi, avremmo
un risultato ottimo: per quanto mancante di <i>feeling</i>
(e questo può metterlo solo un esecutore “umano”), l’<i>output</i> sarebbe comunque ottimale. Ma se proviamo col blues, questo
non accade; si ha quasi l’impressione che esso non si lasci “catturare” in modo
definitivo, che non sia mai uguale a se stesso, che si nutra di
micro-variazioni di ritmo, <i>shifting</i>
di accenti non codificabili sul pentagramma; a volte il blues sembra essere
quel tipo di tensione emotiva che sfugge a qualsiasi tentativo di codifica. </span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Il tentativo di riappropriazione della propria cultura da parte di un
popolo ‘deportato’ in terra straniera risente necessariamente delle “influenze”
culturali e sociali della terra che lo “ospita” (sfruttandolo), e il blues non
fa eccezione. È vero, come afferma Vlad, che ha avuto una fortuna sfacciata, avendo in
qualche modo tratto vantaggio dalla tecnologia, ma credo sia l’ultima grande
forma di musica folk prodotta dall’umanità. Posto che si tengano fuori dal
discorso la house e la techno, col suo corollario di cosiddetta “cultura rave”
che, personalmente, considero altrettanto “folk.” Scontato, allora, ma da
sottolineare, il collegamento precedentemente accennato ai Kraftwerk, ormai
indiscussi precursori (consentitemi un luogo comune, per una volta) della
techno.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">E forse, oggi, il blues non lo si fa più “strisciando coltelli sulle
corde”, né mettendo bene in evidenza le <i>blue
notes</i> o la struttura AAB, e a dire il vero già alcuni bluesmen appartenenti
alla “classicità” – mi viene da citare ad esempio Lightnin’ Hopkins, benché non
sia il solo – avevano fatto più di un tentativo per rivitalizzare la loro
musica uscendo, ancorché di poco, dagli stereotipi sonori e strutturali già
consolidatisi da qualche decennio.</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;">Ecco quella che mi sembra una buona domanda: come si <i>fa</i> il blues oggi che non esistono più le
lavandaie?</span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b><span style="color: black;">E.M.:</span></b><i><span style="color: black;"> “Come si fa il blues oggi che non
esistono più le lavandaie?”</span></i></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">Ma io credo che quelle
sono almeno 40 anni che non ci sono più. Non c’erano più già quando Clapton
clonava l’assolo di Otis Rush su <i>All your
lovin’</i>.</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">Però non per questo
manca autenticità. Che magari non è sempre sinonimo di grande musica.</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">“Autentico è ricreare
originalmente”, scrive Carmelo Bene citando Foscolo.</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">Alcuni dei blues
migliori – e autentici - li ho sentiti per strada, tra i buskers. </span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">Uno era un giapponese
enorme che suonava una fantastica National Steel. Si faceva chiamare The Fujii
e vendeva il suo CD autoprodotto su un marciapiede sotto il portico di una
banca, 10.000 lire: <i>Anyway What Time Did
You Get Up This Morning</i>. Uno di quegli slide solitari e stonatissimi,
tirate di sei setti minuti, trombettisti free, bordoni di armonica, registrato
per strada. Una favola… Crecatelo in
giro, ne vale la pena.</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">Gli altri erano un trio
di svizzeri con un batterista che batteva su una specie di bidone del rusco e
uno che suonava un manico di scopa infilato in un secchio. L’unico che aveva
uno strumento era il chitarrista. Si chiamavano Hell’s Kitchen e suonavano quei
<i>groove</i> ipnotici alla John Lee Hooker.</span></span></div>
<span style="font-size: large;">
<span style="color: black; font-family: "Calibri","sans-serif"; line-height: 115%;">Ecco questi due esempi
sembrano proprio schegge di qualche cultura mista, di rifugiati, di evasi.
Apolidi. Cari a Vlad.Eh, sì, il blues è stato fortunato. Ma si è meritato tutto
quanto.</span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw9MWoJE7FpH8rwV7YM-VFIzHc368blPVGsefzEC3hOgqHqfZjA1uFvMg01d4tC8a_pg0hT4uXq_icZlKGJ1nbD7fDFJXGz7odkFpy2qh8gdxX8EIfEbuA8XebpFhL_f67E7Xysm7Ht9Zb/s1600/MMAGINE+BLUES+AND++SIRENS+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw9MWoJE7FpH8rwV7YM-VFIzHc368blPVGsefzEC3hOgqHqfZjA1uFvMg01d4tC8a_pg0hT4uXq_icZlKGJ1nbD7fDFJXGz7odkFpy2qh8gdxX8EIfEbuA8XebpFhL_f67E7Xysm7Ht9Zb/s1600/MMAGINE+BLUES+AND++SIRENS+1.jpg" height="300" width="400" /></a></span></div>
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<![endif]--><span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b><span style="color: black;">Corollario</span></b></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><b><span style="color: black;">Mr. Hyde: </span></b><span style="color: black;">Voglio essere considerato un poeta jazz che suona un lungo blues in una
jam session d’una domenica pomeriggio. [Jack Kerouac – nota su Mexico City
Blues].</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">E’ vero: il blues è
un’entità spirituale che vaga tra un’anima e l’altra. Ne sceglie una a caso e
comincia a tormentarla. Aleggia nell’aria, preferisce quella mefitica delle
metropoli, città abbandonate come, per fare un esempio, Detroit, un tempo
capitale dell’auto, oggi deserto urbano. Ma anche gli acquitrini, il Mar Nero,
i giardini di arance sommersi dalla lava dell’Etna. </span><span lang="EN-US" style="color: black;">Desolazione.
Passato. [Hyde]</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span lang="EN-US" style="color: black;">Nobody know the other side of my house, my corner where I was born,
dusty guitars. </span><span style="color: black;">[Jack
Kerouac –Mexico City Blues, framm. da 127h Corus].</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">Sono convinto che la
beat generation ebbe come riferimento il blues e lo Zen. Forse non ne fu
consapevole... Kerouac però scrive: Charlie Parker Assomogliava a Buddah. [Jack
Kerouac –Mexico City Blues, framm. da 239h Corus].</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<br /></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">Ma c’è un altro lato
non proprio Zen, del Blues, sanguigno e terreno:</span></span></div>
<span style="font-size: large;">
</span><br />
<div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;">
<span style="font-size: large;"><span style="color: black;">“Il blues è un uomo in
una notte gelida, che cammina per un’eternità, di luogo in luogo, Sutton Place
o Bowery, vivendo. No! Non vivendo. E’ quella memoria viva ma non condivisa,
che vive la vista che vediamo viva e vivente. Contenuto? Perché ridicolo? Donne
su cuscini abbracciati in piscio pisciato, piscio schizzato nel rigagnolo non o
perfino non come il suo disconoscente getto che imbeve l ’inguine vestito e
filtra attraverso i suoi resti abbigliati. Puzzando nel suo angolo moccioso che
si trasforma in carta raramente in cambio della sua ragione, alcool, risposte
della vita agli onniscienti, le audacie con le donne, il vino, i canti, le
danze e gli stordimenti. Risuonano vecchie azioni fredde, egli respira e vive
momenti no, di stravaganti momenti benedetti d’amore detti d’amore, tutte menzogne,
menzogne di non-verità reciproche che sfortunatamente si sono unite e hanno
odiato le verità universali, dentro e fuori, a seconda che si presuma che lui
non è una lei. Dannazione a tutto blues; Avvitato al gelido marciapiede
fondente di pietra audacemente abbracciata, erezione di cemento, immaginato
morbido solo per ritardate erezioni di solitudine che sono diventate femminili
e ti rispondono umide, calde lacrime,non troppo allontanato dal suo comune
denominatore, urina ghiacciata che fonde alla audace morte bollente che si
aggrappa alla vita per amore al pensiero di una risposta, sia sulla creta,
sulla terra o sull’asfalto io osservo nella mia ebbra febbrile ricerca di un
vero inguine femminile, che mi vuole come io voglio lei,senza mai odiarmi
perché abbiamo trovato rifugio e soddisfazione come due pietre ubriache che si
riscaldano fianco a fianco dentro e fuori della nostra debilitata idea della
scopata di lati opposti.” [da “Peggio di un bastardo”– Charles Mingus]</span></span></div>
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<span style="font-size: large;"><b><span style="color: black;">E.M.:</span></b><span style="color: black;"> C'è una musica blues. Ma c'è anche una “prosa” blues? Cosa la rende
così? Il lessico, o meglio il “gergo”'? La (mancanza di) punteggiatura? I
soggetti? Più ecumenicamente, tutte e tre le cose? La letteratura blues è la
letteratura beat. O meglio il beat è blues “sotto copertura”'o assomiglia di
più all' improvvisazione di un bopper fatto di droga?</span></span></div>
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<span style="font-size: large;"><b><span lang="EN-US" style="color: black;">Mr. Hyde: </span></b><span lang="EN-US" style="color: black;">Blues
genere letterario? </span><span style="color: black;">Prova
a dirlo ad uno di quei diavoli ciechi ! Piuttosto linguaggio blues usato in
letteratura. Blues trasversale. (che brutta parola..) Potremmo parlare di
elementi blues inseriti nella prosa.</span></span></div>
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<span style="font-size: large;"><span style="color: black;">Però quello che piace
del blues è che non è completamente definito e definibile. Il poter aggiungere
qualcosa di personale, come in un racconto non scritto. Certo, il linguaggio,
gli argomenti (girovagare, donne, alcool, droga, la notte) gli stati d’animo
(rabbia, tristezza,rassegnazione) i luoghi, sono elementi caratterizzanti, ma è
il ‘colore’ (non so come definirlo)quell’oscuro affascinante disagio che
avverti anche ascoltando <i>Pretty As You
Feel</i> dei Jefferson Airplane, che non è dichiaratamente un blues. Forse un
blues in acido…</span></span><br />
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<span style="color: blue;"><span style="font-size: x-large;"><a href="http://<iframe width="480" height="360" src="//www.youtube.com/embed/7wHhfeYjF1Q" frameborder="0" allowfullscreen></iframe>">BLUES AND SIRENS (Mr. Hyde)</a></span></span></div>
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<span style="font-size: large;"><b><span style="color: black;">Playlist</span></b></span></div>
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<span style="font-size: large;"><span lang="EN-US" style="color: black;">Ash Ra Tempel - Light: Look at your Sun</span></span></div>
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<span style="font-size: large;"><span style="color: black;">da: Schwingungen 1972</span></span></div>
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<span style="font-size: large;"><span style="color: black;">Fred Lane e Kjell
Westling - Gli alberi crescono alti (canzoni di lavoro, d'amore di guerra e di
lotta delle Isole Britanniche) 1977</span></span></div>
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<span style="font-size: large;"><span lang="EN-US" style="color: black;">Otis Rush - All your lovin’ 1958</span></span></div>
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<span style="font-size: large;"><span lang="EN-US" style="color: black;">The Fujii - Anyway What Time Did You Get Up This Morning 2001(?)</span></span></div>
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<span style="font-size: large;"><span lang="EN-US" style="color: black;">Jefferson Airplane - Pretty as You Feel</span></span></div>
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<span style="font-size: large;"><span lang="EN-US" style="color: black;">da: Bark (1971)</span></span></div>
Massihttp://www.blogger.com/profile/12951607038553278758noreply@blogger.com0